Deborah's Story
A patient story told with restraint and real feeling, the kind of human moment that makes a healthcare brand trustworthy rather than corporate.
I came up as a cinematographer, and I lead like one. I've moved from being the best set of hands to building a team of them, but I still get hands-on and still hold the bar on visual quality and story. The craft is what earns me the right to lead other makers.
I stepped into a studio with no creative lead, defined the role, and grew the team from eight to thirteen. The goal was never to be the only person who could deliver, it was to set a standard and make great work repeatable across more than 1,500 pieces a year.
The best healthcare storytelling is human and responsible at once. I make work that treats patients and caregivers like people, not case studies, while respecting the brand, legal, and human stakes it carries.
A patient story told with restraint and real feeling, the kind of human moment that makes a healthcare brand trustworthy rather than corporate.
Another patient-centered film in the same body of work, proof that emotional, documentary storytelling can scale across a brand without losing its honesty.
A public-facing brand film introducing the reimagining of Mayo Clinic to the world, ambition and institution-scale storytelling held to a cinematic standard.
Translating a complex part of the healthcare system into something clear and human, the discipline of making the technical feel personal.
A story about connection and support in hard moments, work that lives at the intersection of healthcare, community, and genuine human need.
A documentary-style brand film following a family farm, the kind of authentic, character-driven storytelling that works as well outside healthcare as in it.
A warm, human spot for early childhood education, proof the approach travels across categories and audiences.
A portrait of a young environmental leader, character-driven storytelling in service of a cause.
I build the teams and standards that let great healthcare storytelling happen at scale.
I lead the creative work of Tilt Studios, UnitedHealth Group's in-house video studio. I stepped into a team without creative leadership, defined the function, and grew it from eight to thirteen while raising the quality bar across more than 1,500 assets a year.
Before UHG I co-founded HealthTales, a company devoted entirely to health storytelling for Mayo Clinic, Optum, and Prime Therapeutics, and Rikshaw Films, where I directed across 40+ countries for Fortune 500 brands. My foundation is craft, cinematography, lighting, the language of film, and it's what lets me lead other makers credibly.
My work is authentic, beautiful, emotional, never slick.